United States
| No | Meta Name | Value |
| 1 | viewport | width=device-width, initial-scale=1 |
| 2 | robots | index, follow |
| No | Text |
| 1 | Continues after the jump… (3) |
| 2 | Todd Rittman |
| 3 | Bob Weston |
| 4 | Mark Fischer |
| 5 | ‘Anyone here tonight ever had gonorrhea?”: AC/DC’s dirty autobiographical version of ‘The Jack’ |
| 6 | ‘How Should We End This?’: Hilarious supercut of AC/DC song endings |
| 7 | AC/DC vocalist Brian Johnson’s balls out metal vocals for a Hoover vacuum commercial in 1980 |
| 8 | Blistering footage of a young AC/DC blowing the roof off the sucker in 1978 |
| 9 | Heavy Metal Parking Lot: Photos of AC/DC hanging with a bunch of teenage super-fans in 1979 |
| 10 | Knives Out: When Ozzy (maybe) stopped Geezer Butler from stabbing Malcolm Young of AC/DC in 1977 |
| 11 | Raw footage of AC/DC killing it at an Australian high school 40 years ago (& Bon Scott’s bagpipes!) |
| 12 | Ultra-rare AC/DC promotional songbook full of sheet music, comics & photos from 1976 |
| 13 | More Joy Division carnage, after the jump… |
| 14 | Or an idiot racist billionaire babyman put in charge of the nuclear codes who thinks people should drink bleach? |
| 15 | This seems so freaking familiar, doesn’t it? |
| 16 | a s****-smeared toilet brush |
| 17 | fat, ugly, vulgar, gluttonous, grandiose, dishonest, stupid, jejune, voracious, cruel, cowardly and evil |
| 18 | Sound like anyone you know? |
| 19 | All that’s missing is his s****-smeared toilet brush, if you ask me. |
| 20 | CRUELEST20 |
| 21 | More after the jump… (3) |
| 22 | How is quarantine in Provence? |
| 23 | What do you remember about the performance in Huddersfield that this record comes from? |
| 24 | I actually wondered—on the recording there’s so little audience noise, I wondered if it had been taken out. But no, they were really listening. |
| 25 | Because of the virus. |
| 26 | If you have to be stuck somewhere, I would think Provence is not a bad place. |
| 27 | Have you noticed any changes in the environment? |
| 28 | Can you tell me about the piano pieces in some more detail? I’m curious first of all what the equipment is. I know on the studio album you have two different pianos, one prepared and one unprepared. |
| 29 | Which I think has been your practice for a while, right? |
| 30 | More Scott Lavene on Bandcamp. |
| 31 | What is your earliest memory? |
| 32 | Sébastien Doubinsky |
| 33 | When did you first think seriously about becoming a writer and why? |
| 34 | SD |
| 35 | More from Sébastien Doubinsky, after the jump… |
| 36 | Dangerous Minds: What’s your background? |
| 37 | Gerald Jenkins (5) |
| 38 | What inspired It’s After the End of the World? |
| 39 | Was the work in the book done specifically for this project? |
| 40 | How did you go about selecting the writers you collaborated with? They’re all such unique—and very specific—voices. |
| 41 | It feels like the vision that you explore in the book was prescient. How does it feel looking out your window and suddenly it IS after the end of the world? |
| 42 | You can order It’s After the End of the World directly from the artist here |
| 43 | 1 |
| No | Text |
| 1 | Underground |
| 2 | Picture sleeve for a 1967 j***anese EP. |
| 3 | Ma*** in F Minor |
| 4 | Easy Rider |
| 5 | Continues after the jump… (3) |
| 6 | SIDES 1-4 (6) |
| 7 | Batman vs. The Beatles |
| 8 | Star Trek |
| 9 | Tail Spins #19 (December 1994/January1995). Here Fischer and Syers paid homage to one of the very first comics owned by Fischer, Captain America #203 while homaging the great Jack Kirby. This image is a part of the digital comics released today with ‘SIDES 1-4.’ |
| 10 | everyone |
| 11 | didn’t |
| 12 | Highway to h**** |
| 13 | If You Want Blood You Got It |
| 14 | SIDES 5-6 |
| 15 | An a***ortment of SKiN GRAFT comic characters. |
| 16 | ENTER THE KARATE CHIMP! |
| 17 | A promotional ad for ‘SIDES 1-4.’ |
| 18 | With thanks to Mark Fischer and Ron Kretch |
| 19 | Previously on Dangerous Minds: |
| 20 | More Joy Division carnage, after the jump… |
| 21 | Poster for a re-interpreted version of Alfred Jarry’s ‘Ubu Roi’ from 2013 in which the tale of Donald Trump’s golf course development in Scotland follows the storyline of the play |
| 22 | Ubu Roi (4) |
| 23 | Ubu Cocu |
| 24 | Ubu Enchaîné |
| 25 | hated |
| 26 | fifteen minutes |
| 27 | “m****re!” |
| 28 | m****e |
| 29 | “s****.” |
| 30 | Or an idiot racist billionaire babyman put in charge of the nuclear codes who thinks people should drink bleach? |
| 31 | s**** |
| 32 | tasted good |
| 33 | This seems so freaking familiar, doesn’t it? |
| 34 | practically the entire point |
| 35 | a s****-smeared toilet brush |
| 36 | A s***p of fools in a sea of s****… |
| 37 | Macbeth, Hamlet |
| 38 | Richard III (2) |
| 39 | Hamlet |
| 40 | The Winter’s Tale |
| 41 | Sound like anyone you know? |
| 42 | All that’s missing is his s****-smeared toilet brush, if you ask me. |
| 43 | ’Cafe Flesh,’ US 1 sheet for sale at Westgate Gallery |
| 44 | Mad Max |
| 45 | Warriors of the Wasteland |
| 46 | New Barbarians |
| 47 | Rats: Night of Terror |
| 48 | Cafe Flesh |
| 49 | Cabaret |
| 50 | not (2) |
| 51 | King of Queens |
| 52 | meh |
| 53 | Night of the Living Dead |
| 54 | Dawn of the Dead |
| 55 | Dawn |
| 56 | Zombie |
| 57 | Invasion of the Flesh-Hunters |
| 58 | Cannibal Apocalypse |
| 59 | Return of the Living Dead |
| 60 | Night of the Creeps |
| 61 | Lifeforce |
| 62 | I Drink Your Blood |
| 63 | They Came From Within |
| 64 | s***vers |
| 65 | Rabid |
| 66 | Street Trash |
| 67 | ’Dawn of the Dead,’ Italian 4F, 55” by 78” |
| 68 | ’Escape from New York,’ j***an, 20” by 29” |
| 69 | ‘I Drink Your Blood,’ Italian 2F Manifesto, 39” x 55” |
| 70 | ’Invasion of the Flesh Hunters,’ j***anese B2, 20” x 29” |
| 71 | More after the jump… (3) |
| 72 | Nocturne |
| 73 | extremely |
| 74 | Klavierstücke |
| 75 | Photo by Lucia Margarita Bauer |
| 76 | Les Rossignols |
| 77 | Broke |
| 78 | The cover of Frank Zappa’s 1983 album, ‘The Man From Utopia’ featuring the artwork of Tanino Liberatore. |
| 79 | The Man From Utopia (2) |
| 80 | A photo of Tanino Liberatore (left), Stefano Tamburini (right), watching Frank Zappa (center) flip through the copy of Frigidaire featuring RanXerox. Image source. |
| 81 | La Donne |
| 82 | Ranx: The Complete Collection |
| 83 | The back cover of ‘The Man From Utopia.’ |
| 84 | A sketch by Liberatore for the back cover of ‘The Man From Utopia.’ More can be seen here. |
| 85 | A sketch of Zappa by Liberatore. |
| 86 | Another sketch of Zappa by Liberatore. |
| 87 | The Invisible |
| 88 | What is your earliest memory? |
| 89 | Spiderman |
| 90 | Absinth |
| 91 | There’s hope for us yet! |
| 92 | What’s your earliest memory? |
| 93 | The Ticket That Exploded |
| 94 | He had discovered his superpowers. |
| 95 | When did you first think seriously about becoming a writer and why? |
| 96 | More from Sébastien Doubinsky, after the jump… |
| 97 | what comes next |
| 98 | person |
| 99 | very |
| 100 | Black Panther |
| 101 | h****a |
| 102 | It’s After the End of the World (2) |
| 103 | objet d’art |
| 104 | It’s After the End of the World? |
| 105 | The Blue Guerrilla |
| 106 | It is the world we currently live in that is a myth. |
| 107 | It’s After the End of the World |
| 108 | “Ancient Black” |
| 109 | “Don’t You Want to Know The Greater Mysteries of the Universe?” |
| 110 | “Jupiter Way, with Jodie Turner Smith” |
| 111 | “Misfortune’s Wealth” |
External Link Count
: 58
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| Upnewsinfo.com | 104.24.115.185 |
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| Cricfree.stream | 104.24.115.186 |
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| Grh-Hamburg.de | 104.24.115.190 |
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| Sugeng.id | 104.24.115.197 |
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| Prezibase.com | 104.24.115.208 |
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| Windows10Updater.com | 104.24.115.210 |
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| Tiocammoi.com | 104.24.115.239 |
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